![]() ![]() Debussy’s music irrigates the dance and continually shakes up the material. Claude Debussy (1862-1918) was a French composer of the late Romantic period and early Modern period. Think about the airiness of colours that flow in one another, dry for a while, and become moistened again to establish new connections. Lisbeth Gruwez: “ Piano Works Debussy is an aquarelle. Debussy's style, which tended to prioritise instrumental colour and mood creation over structural rigour, has often resulted in him being labelled the first Impressionist composer. In this respect, Piano Works Debussy is a unique dialogue between a classical and contemporary framework that somehow uncovers her choreographical trajectory. Claude Debussy (1862-1918) was a French composer active in the late 19th and early 20th centuries. After her formation in classical ballet she found freedom in contemporary dance, gradually developing a language of movement that’s referential by now. Rather than evoking a steadfast reality, Gruwez and Chevalier install an imagination behind the gauze of the material.įor the first time in her career Gruwez is getting involved with classical music. Their movements are suggestions rather than expressions, in line with Debussy’s search for ‘la musique immatérielle’. Together they’re in search of the space between the notes in the compositions of Claude Debussy, who fiddled around with the hegemony of rules. Both well known and lesser known pieces are used to give. By comparing and contrasting two works with identical titles based on the same inspirational source, each composer's unique compositional style will be further illuminated.Piano Works Debussy is a duet between dancer Lisbeth Gruwez and pianist Claire Chevallier. A collection of six pieces representing Debussys larger suites and works. A detailed stylistic analysis of the two works shows how differently each composer approached the same subject. Then, a comparative analysis of these same works will be offered, illustrating how they in fact show very distinct styles from a structural point of view.ĭifferences in compositional approach by Debussy and Ravel will be elaborated on in the second part of the study, a comparative analysis of their piano works based on the same material, namely the Ondine legend. In his piano pieces, he used a chord more for its special. The works that gave rise to these controversies will be introduced, and superficial similarities will be highlighted. Claude Debussy (1862-1918) treated harmony in a revolutionary manner of musical impressionism. and piano compositions (Premiere Arabesque and Suite bergamasque). Each composer was at times accused of stealing or borrowing from the other. A stylistic incongruity exists between Claude Debussys songs and piano music in the. ![]() The first part will focus on the composers' common background as well as influences they had on each other. The purpose of this study is to investigate the differences between Debussy's and Ravel's compositional styles. However, a closer examination of their music shows that their works actually have very distinctive characteristics. As a result, they are often categorized together as "Impressionist" composers. They shared similar backgrounds and influences as both resided in Paris during an epoch of rich cultural confluence. Claude Debussy (1862-1918) was a French composer active in the late 19th and early 20th centuries. Claude Debussy and Maurice Ravel were the two most important and influential French composers of the early 20th century. ![]()
0 Comments
Leave a Reply. |